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Spiked Eggnog and Spilled Blood: It’s a Wonderful Knife Delivers

It's a Wonderful Knife

The new horror-comedy mashup film It’s A Wonderful Knife puts a darkly comedic spin on the beloved holiday classic It’s A Wonderful Life. Directed by Tyler MacIntyre and written by Michael Kennedy, known for their previous collaboration on the satirical slasher Tragedy Girls, this twisted Christmas tale aims to offer viewers a fresh take on a familiar story.

The premise follows teenager Winnie Carruthers, who manages to halt a killing spree in her small town on Christmas Eve, only to later wish she had never been born. This transports her to an alternate reality where the killer is still targeting the town and has even murdered her younger brother. Winnie reluctantly teams up with a high school outcast in a race against time to stop the murderer before more lives are claimed.

Early reviews praise the film’s balance of holiday sentiment and horror genre tropes, anchored by solid performances and a screenplay that finds moments of societal commentary amidst the bloody mayhem. While unlikely to reinvent seasonal horror films, It’s A Wonderful Knife looks well-positioned as a potential cult favorite that puts a cruel new spin on the Capra classic for fans seeking some genre thrills and chills this Christmas.

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A Christmas Wish Gone Wrong

The film opens on Christmas Eve in the idealized small town of Salto Ángel as teenagers Winnie Carruthers (Jane Widdop) and her friends are brutally attacked by a masked killer dressed as a bloodied angel. Winnie displays courage in stopping this murderer, soon revealed to be the town’s greed-driven mayor Henry Waters (Justin Long).

The story then picks up a year later as a still-traumatized Winnie continues to mourn while her family tries urging her to move forward. In an emotionally vulnerable moment, Winnie wishes upon some glowing lights in the sky that she had never been born. This suddenly transports her to an alternate reality where Henry’s killing spree was never interrupted, and he has continued preying upon the town for the past year. Even worse, this timeline shows Winnie’s younger brother as one of the killer’s victims.

With no remaining family or friends left in this nightmarish version of events, Winnie reluctantly gets the cynical outcast Bernie (Jess McLeod) to assist her in trying to stop the murderer once again. But with the ethereal Northern Lights that granted her wish already beginning to fade, Winnie races against the clock to set things right before she becomes forever trapped in this twisted reality.

Capturing the Magic and Menace of Christmas

It’s A Wonderful Knife succeeds in large part due to its talented cast that fully commit to the film’s unconventional combination of holiday sentimentality and horror thrills. Lead actress Jane Widdop delivers a compelling performance as the courageous yet emotionally damaged Winnie. Widdop’s empathy and sincerity helps ground the supernatural premise in relatable grief and trauma.

Just as strong is Justin Long’s turn as the villainous mayor Henry Waters, aiming for a balance of menace and absurdity. Obsessed with money and power, Long makes Henry an amusingly smarmy figure, but one whose greed leads to very real and bloody consequences for the town. The script ensures he doesn’t become just a hollow parody, instead using Henry to commentary on how the Christmas spirit can fall prey to unchecked capitalism and corruption.

Supporting roles also shine, including Joel McHale demonstrating impressive dramatic range as Winnie’s loving yet oblivious father. The film gets good mileage from subverting McHale’s familiar comedic presence. Other standouts include Jess McLeod as the sullen outcast who aids Winnie, as well as Hana Huggins as Winnie’s ill-fated best friend.

Director Tyler MacIntyre also deserves recognition for maintaining tonal consistency throughout the chaotic mix of holiday traditions, teen drama, and slasher horror. While keeping the violent kills creative and plentiful, MacIntyre ensures they never undermine the genuine emotional weight. And Michael Kennedy’s script contributes plenty of playful references to establish the film’s influences, like having a theater marquee in the alternate universe advertise showings of I Know What You Did Last Christmas.

Altogether, It’s A Wonderful Knife keeps its bloody tongue firmly in cheek while still capturing the nostalgic magic and ominous menace that the Christmas season can evoke.

Always Room for Improvement

While generally entertaining, It’s A Wonderful Knife is not without a few flaws holding it back from all-out greatness. Most glaringly, the Winnie protagonist lacks much uniqueness to make her truly compelling over the film’s brisk runtime. Beyond her trauma, strong will, and compassion, the scripts fails to give her many distinctive traits or deeper complexities. As the emotional anchor at the story’s center, a deeper exploration of Winnie would give the film’s bigger ideas around grief, violence, and the holidays more resonance.

Relatedly, there is a sense that the screenplay only scratches the surface of some compelling themes around fate, redemption, capitalism, and our idealized memories of Christmas. Henry’s storyline gestures at interesting questions around power and greed, but ultimately functions as simply a bloody means to set Winnie on her fantastical journey.

The film also remains fairly predictable in adhering to conventions of both holiday movies and horror slashers. From the abusive love interest to the neglectful parents to the obsessive killer picking off teenagers, genre fans may yearn for some greater surprises or subversions along the way. While It’s A Wonderful Knife modernizes the setting and diversifies the cast, it rarely diverts from well-worn coming-of-age beats that can feel recycled.

So for viewers who may have seen their fair share of both Hallmark holiday tales and gory teen screamfests, It’s A Wonderful Knife doesn’t reinvent either formula. But for less demanding audiences seeking some bloody seasoning with their Christmas cheer, it proves a satisfying hybrid of styles.

A New Holiday Horror Tradition

While not without some writing flaws, It’s A Wonderful Knife still succeeds as an enjoyable seasonal viewing option for horror fans. It contains more than enough festive atmosphere, gruesome kills, and knowing wit to please genre devotees. The film should also inspire yearly rewatches as a new addition to the holiday horror canon.

Ultimately, the clever mash-up premise alone makes It’s A Wonderful Knife worthy of catching late at night after too much eggnog. It demonstrates a clear affection for both the Capra Christmas classic and slashers that dominated the 80s. By colliding these disparate influences, writer Michael Kennedy and director Tyler MacIntyre craft an off-kilter yet heartfelt take on why the holidays so often intersect with grief, tension, and lurking unease behind the forced cheer.

While unlikely to ever be labeled a masterpiece, It’s A Wonderful Knife deserves appreciation as a seasonal treat that offers a familiar story freshly twisted in unexpected and gruesome ways. For any horror fans tired of straightforward holiday viewings, this bloody love letter puts enough creative spins on the formula to warrant adding it to your annual Christmas watchlist.

Looking for more Holiday Horror? Check out 7 horror movies to stream this Christmas.

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